Janaína Miranda is a visual artist, holding a Bachelor's degree in Visual Arts from the Institute of Arts of the University of Brasília and a Master’s degree in Communication Technologies and Aesthetics from the Postgraduate Programme in Communication and Culture of the Federal University of Rio de Janeiro.

In her artistic practice, explores the language of photography through site-specific proposals, publications, and installations, where the image operates as both a mirror of the mind and a negotiation device with the world. Her narratives are permeated by the silence and the relationship with time, revealing fissures between the intimate and the collective, the visible and the invisible. For Janaína, the artistic gesture is also a micropolitical practice that unveils and questions established structures and hierarchies.

Throughout her career, she participated in the Contemporary Artistic Practices Program at the Parque Lage School of Visual Arts (RJ, 2015) and in the MASP's Independent Program (SP, 2016). She presented the solo exhibition Proposal for the invention of landscapes, at Alfinete Gallery (Brasília, 2015) and had works selected for the Transborda Award (Brasília, 2015), where she was also awarded the acquisition prize; the 40th Ribeirão Preto Art Hall (SP, 2015); the Conrado Wessel Foundation Art Award 2015 – Photographic Essay (SP, 2015); Abre Alas 12 at A Gentil Carioca (RJ, 2016); the 22nd Anapolino Art Hall (GO, 2016); and the Diário Contemporâneo Photography Award - Farol Artistic Residency (PA, 2020).

She also participated in the Research Cycle at Casa Tomada (SP, 2016), the 12th Artistic Residency at Red Bull Station (SP, 2016), and the Artistic Residency Program at FAAP (SP, 2016). Currently, she is a student of Lama Padma Samten and dedicates herself to investigating the nature of reality and the inner world through Buddhism.